2,024 Royalty-Free Audio Tracks for "In C"

Field recording beside lake in champs elysee park, in paris. Water, city traffic distant, kids, ducks all around.

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Tribal-sounding dirty bass loop, in the key of "c", at 130 bpm. Made with soundation loops. One of two works, the other, without the main beat is also uploaded.

Description: tribal-sounding dirty bass loop, in the key of "c", at 130 bpm. Made with soundation loops. One of two works, the other, with the main beat is also uploaded.

Created in Sibelius. Major sixth (Diminished seventh) on C = A (B). Equal-tempered: 29/12:1 = 900 cents. MIDI pitch bend: 0,64

Two chords and a 3 note melody processed in music maker's cinematic synth with a deep bass swell for high drama.

Concert pianist Awadagin Pratt performs w:Johann Sebastian Bach's Passacaglia and Fugue in C minor at the w:White House Evening of Classical Music on November 4, 2009. In addition from 11:22 to 11:27, he salutes United States President Barack Obama with a few bars of "Hail to the Chief".

One of my favorite bell loops i've made. 139bpm in the scale of c natural minor.

Algerian scale. No pitch bend.

Water drop sound created using mouth. Recorded using a zoom h2n handy recorder. Basic editing completed in garageband. (chloe c. ).

This is just ordinary white noise. . . The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

V of V in C, four-part harmony. From Bach.

Rainstick recorded with a stereo matched-pair of akg c-214 microphones in a studio.

Bad guy/"Villian" motif/riff.

Recording of music written by Frederic Chopin

The first four bars of Prelude No. 1 in C Major, BWV 846, by Johann Sebastian Bach

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Recording of music written by Frederic Chopin

Two chords and a 3 note melody processed in music maker's cinematic synt. This version is a string ensemble voice, a bit lighter than the others but moody.

*Nine quarter tones/supermajor third on C = E/F. Equal-tempered: 29/24=3/8:1 = 450 cents. MIDI pitch bend: 0,80 Preceded by:File:Seven quarter tones on C.mid

*Just diatonic semitone on C = D♭- (Ben Johnston's notation). Just: 16:15 = 111.73 cents. Limit: 5-limit. MIDI pitch bend: 79,67 Created in Sibelius.

This sound consists of sine waves only playing the musical note c, each for a total of 10 seconds. Rendered as a 200/32 wav file (linear pcm, 32 bit little-endian floating point, 200000 hz) in audacity.

Dominant thirteenth on F in sixth inversion: DE♭FGAB♭C. V13 resolves to I6.

Just diminished seventh in just C scale: B and A♭.

Line samples from a casio ap-45 on the default grand piano patch. Samples every c and g from c2 through to c9 with a short sustain. Velocity is pretty aggressive and it doesn't sound quite in tune to my ear. Feels like it's a little bit out. You may want to tune these yourself, if you plan to use them for anything significant. Minimal post processing on these. Just enough to get them roughly even in terms of overall volume.

FREDERIC CHOPIN, THE ETUDES PAN 107 (1810 - 1849) Martha Goldstein, Piano (Erard, 1851) Opus 10 - Twelve Grand Etudes dedicated to Franz Liszt, published 1833 c minor- Allegro con fuoco Supposedly written in Stuttgart shortly after Chopin received news of the taking of Warsaw by the Russians September 8, 1831, this Etude is popularly called The Revolutionary."

Chime note on C. In chimes, modes 4, 5, and 6 appear to determine the strike tone and have frequencies in the ratios 92:112:132, or 81:121:169, "which are close enough to the ratios 2:3:4 for the ear to consider them nearly harmonic and to use them as a basis for establishing a virtual pitch."[1]

Luigi Boccherini's Sonata for Two Cellos in C Major, 1st movement: Allegro moderato performed by Alisa Weilerstein and 8 year-old Sujari Britt at the w:White House Evening of Classical Music